Training, Lessons

Lessons, skills development and training on how to write your memoirs.

  • Creative Writing,  Structure and Plotting,  Training, Lessons

    Essay Series — Blog Post (continued)

    Part Six — How to Format and Schedule a Blog Post     Why Format? A blog post is not a book. It’s not an article. It’s not even an essay. An essay has one main purpose — to communicate to the reader the point the writer wants to make. This could be informing, changing an opinion, teaching a topic, or sharing an anecdote.    But a blog post has many purposes in addition to its content. Yes, it does the same things as an essay but it has a multitude of different ways to convey information in the fastest, most efficient way possible, not all of them text-based. A…

  • Creative Writing,  Structure and Plotting,  Training, Lessons

    Essay Series — Blog Post

    Part Five — How to Write a Blog Post 1. Why write a blog? — Your Purpose Your purpose informs and directs everything you write, from the material you include, to your style, voice and content.   Once you figure out WHY you want to write it, you’ll be well on the way to knowing what you want to write about. Your Purpose is a through-line that ties everything together, giving you a roadmap which lets you see what fits and what doesn’t.  But as long as you’re missing this key ingredient of Purpose, your blog will continue to be disjointed, scattered and lacking in cohesion.   Defining your Purpose…

  • Creative Writing,  Structure and Plotting,  Training, Lessons

    Essay Series – Personal Essay

    The personal essay is an autobiographical narrative or story relating a significant personal experience that shaped or changed the writer. A good one can inspire readers and move them to ask questions or take action.   The purpose of a personal essay is to introduce the writer to readers. It presents the writer as a personality, a character in a factually accurate narrative. Personal essays entertain and engage the reader with attention to literary style and technique. They’re based on truth, and they illustrate the writer’s outlook through the use of personal experiences and conclusions. Readers want to know and understand who the writer really is, not just the events that…

  • Creative Writing,  Structure and Plotting,  Training, Lessons

    Essay Series – Informal Essay

    Part Three — The  Informal Essay The informal essay is characterized by the personal element — self-revelation, individual tastes and experiences, confidential manner, humour, graceful style, rambling structure, unconventionality or novelty. Its main departure from formal essays is its use of personal pronouns, using inclusive references to I, we, or you, where a formal essay tends to be more distanced and remote. In informal writing, we create a direct contact between ourselves and the reader.    Informal essays are much more personal than the formal essay. Informal essays mean we can express our personal opinion rather than simply presenting the facts. We’ll still include some facts, but we’ll be offering our…

  • Creative Writing,  Structure and Plotting,  Training, Lessons

    Essay Series – Formal Essay

    Part Two — The Formal Essay For the month of July, we’re concentrating on a series about creating short pieces that engage and impact the reader. Last week we covered the Implied Contract between writer and reader and how it determines what we write.    This week, we’ll dive a little deeper into how to write them.   What is an Essay?   The structural basis of effective short pieces is the essay. In school, we learned the basics of essay writing, but in most cases, we couldn’t see the point of learning it. It wasn’t something we thought we’d ever use. But nowadays, everyone communicates online, so the more…

  • Creative Writing,  Structure and Plotting,  Training, Lessons

    Essay Series – Implied Contract

    Part One — The Implied Contract Last year, I wrote a post on How to Focus a Blog Post, but since then, I’ve received a number of further questions, so it seems there are more answers to be explored.   For the month of July, I’ll be concentrating on a series about creating short pieces that engage and impact the reader. We’ll cover the implied contract between writer and reader and how it determines what you write, the essay structure and how it applies to short stories, personal memoirs and blog posts, and we’ll cover blog posts and the proper way to present an argument. We’ll go through a series…

  • Creative Writing,  Structure and Plotting,  Training, Lessons

    Coincidence

    Deus Ex Machina Last week’s post pointed out that little coincidental changes can alter the entire trajectory of a story. But at what point does coincidence become “deus ex machina” — defined by the Oxford dictionary as, “an unexpected power or event saving a seemingly hopeless situation, especially as a contrived plot device in a play or novel”?   The key here is the word “contrived”. Last week, I said, “Our lives hinge on these coincidences.”   But herein lies a problem for writers. We can’t use them. We can’t dump a convenient coincidence into our story whenever we need something to change. We can’t simply insert a character or…

  • Creative Writing,  Structure and Plotting,  Training, Lessons

    Change It Up!

    This article comes out of a conversation I had with a writer who couldn’t decide what should go into two related scenes:   Dor: I’ve got two scenes fighting with each other. So not nice! Bev: What’s the key point in each scene? How can you differentiate the scenes to accentuate the point? Dor: It’s a sequence of two scenes as a big storm is about to hit. So I’m mostly combing for timeline consistency. Two characters, one makes a suggestion and the other resists. Then in the second scene (a few beats later in the time line) the other character takes the bait and goes overboard with the suggestion.…

  • Theme, Purpose and Outcome,  Training, Lessons

    Theme Rules Everything

    Figuring out the theme of your memoir can feel like catching a greased piglet, partly because of the confusing variety of terminology that refers to themes in storytelling. It might help to explain the difference between several different terms that are used to describe this notoriously difficult-to-grasp subject:  •  Thematic Premise — Your plot. Some human quality, activity or character trait leads (or does not lead) to a particular inevitable conclusion. Based on core values and beliefs, the premise can be expressed as an “elevator pitch” that includes character, the basic story idea and what’s at stake.  •  Thematic Statement — Your message. A thematic statement is a simple, powerful…

  • Creative Writing,  Organization and Research,  Point of View and Character Development,  Structure and Plotting,  Training, Lessons

    Cause and Effect

    One of the most effective ways to create a compelling plotline with a strong narrative drive is to make sure your cause and effect chain remains unbroken.   What do I mean by the cause and effect chain?   In stories, as in life, things happen because other things happen. If you fall down, you skin your knee. Your knee would not be injured if you hadn’t fallen down. That’s cause and effect.   In stories, cause and effect are a kind of glue that holds your story together. Without it, your story is merely a collection of random incidents and your reader eventually becomes bored because things happen for…