Creative Writing

Learn how to organize, plan and create your most engaging and compelling life story with the creative writing skills of bestselling fiction authors.

  • Grammar,  Theme, Purpose and Outcome

    Use Clichés to Find Your Theme

    How Do You Start Your Memoir? You start with an idea — that magical moment when something sparks the desire to write.  It might be a title that suddenly pops into your head, a concept that lights you up, a lightbulb moment, a realization or epiphany that lets all the puzzle pieces of your life fall into place.  However it happens, you are inspired and you want to write your story.   For the most part, you likely already have a rough notion of what story you want to tell.  It’s about a character (you) who has experienced events which illustrate a universal truth, a life lesson or message you…

  • Creative Writing,  Structure and Plotting,  Theme, Purpose and Outcome,  Training, Lessons

    The Joy of Structure

    When we first begin writing our memoirs, more often than not, it’s dull. Boring. A recitation of the facts of our life. Devoid of emotion. A bland telling of the stuff that happened without any of the emotional involvement that makes a story great. Meh!   And that’s totally okay.    First drafts are supposed to be a dull recitation of plot, without all the bells and whistles that make a story come alive for the reader. First drafts are meant to get the ideas out of your head and down on paper or screen so you can do something with them. It’s only as we revise and revise and revise…

  • Creative Writing,  Dialogue,  Point of View and Character Development,  Training, Lessons

    When It’s Okay To Act Out

    Okay, so you’re writing away and you have no idea what motivates your main character (or yourself at age twelve).   Or you can visualize your MC’s best friend, but you can’t hear her voice.     Or you’ve finally finished your fifteenth draft and you’re ready to share with your beta readers or your writing group or your editor or (gulp!) your publisher, but you have a niggling feeling there’s something missing.   Take a step back and try a couple of editing techniques that are a little different.   When we read, we tend to “hear” the words in our heads.  If the story’s well-written, we “see” the…

  • Memoirs,  Point of View and Character Development,  Training, Lessons

    How Not To Be A Wimp

    Using Blind Spots and Limiting Beliefs to Power Your Memoir In my memoir classes, one of my favourite things to do is ask questions of my students to get them thinking more deeply about their stories, their characters and ultimately themselves. One of my students brought up the topic of fear of success the other day.  She mentioned that she had a crippling fear of being successful, ie. “a public figure”. When I asked her what she thought was scary about that, she couldn’t tell me exactly, although, for her, it was tied up with public appearances, maybe interviews or readings of her work.  They terrified her.  It came down…

  • Point of View and Character Development,  Thoughts, Opinions and Philosophical Discussions

    Just Who Do You Think You Are?

    One rainy day many years ago, while I was still in college, I was stomping along the street, resentful and annoyed, on the way to buy some milk since nobody at the house had even considered what happens when you use up the last few drops. Somehow, it always ended up being I who ran these little errands, and I was sick and tired of it. Suddenly, out of the blue, I heard a voice in my head say, “I am me.”   Wait, I thought and stopped walking. What does that even mean — I am me? I know that. Who else could I be? The words held vague overtones of self-awareness, integrity,…

  • Creative Writing,  Training, Lessons

    Description—How Much Is Too Much?

    Don’t use a five-dollar word when a fifty-cent word will do.  — Mark Twain   What is Description? Merriam-Webster calls it “an act of describing, specifically: discourse intended to give a mental image of something experienced.”   Or: “a statement or account giving the characteristics of someone or something, a descriptive statement or account.”   Narrative (the events), and description (how the character experiences the events), are the glue that keeps your reader stuck in your story.  If nothing much happens, if the character is not emotionally engaged, then neither will the reader be engaged.   Why is Description Necessary? 1.  Description is all about the strategic delivery of important…

  • Creative Writing,  Memoirs,  Structure and Plotting

    Riding the Razor’s Edge

    Recently a writer asked me this question:   “How can I turn my ideas into fiction? My short stories tend to be small slice-of-life sorts of things.”   This is something that I often run into in workshops and classes. People tell me they only write about true events. They don’t know how to stretch their imaginations to turn facts into stories. They’ve never learned the infinite possibilities behind that magical phrase, “What if?”   To turn ideas into fiction, take your true-to-life story elements and take them as far into what-if as possible.   The key to making a true story fictional is exaggeration. Make the events bigger than…

  • Creative Writing,  Structure and Plotting

    “High Concept” Stories

    While researching the week’s topic for my seniors’ group, (“A Clever Idea”) I tripped over a phrase that is much revered in Hollywood — “High Concept”.   Definition of “High Concept”High Concept is defined by Merriam-Webster as: having or exploiting elements (such as fast action, glamour, or suspense) that appeal to a wide audience.   In essence, High Concept is: Premise-driven  Suited for a wide audience Unique Immediately intriguing Premise: A High Concept story must have an intriguing protagonist with a challenging goal that is highly significant to him/her, and the outcome must have tremendous consequences for the protagonist and the world he/she lives in.   Audience: High Concept stories must…

  • Creative Writing,  Humour,  Memoirs,  Structure and Plotting

    One Artist’s Journey

    I like to call myself a recovering artist.  I like this description because it has a certain curiosity-piquing je ne sais quoi and it references my lifelong addiction to art and creativity.  It also raises the question of why anyone would voluntarily quit the enchanting life of an artist.   Spoiler alert — doing shows all the time becomes increasingly physically demanding for an ageing painter.  All those classy exhibitions certainly look glamorous on the outside, but behind the scenes, there’s a whole lot of grunt-work, and I was fed up with grunting.    There’s a classic artist’s joke — Q. What’s the difference between an artist and a puppy? …

  • Dialogue,  Point of View and Character Development

    The Song of the Spoken Word

    Music surrounds us.  Throughout human history, it has played a big part in our communications.  But only in the past 100 years has it been available to everyone all the time.  Before this, only a few very wealthy patrons could enjoy music in their homes, and only if they knew how to perform, play an instrument or hire someone to play for them.     Every religion has used music to praise a variety of gods, (entertainment being a large part of their attraction for the general populace), and indigenous peoples have all had their own styles of music, often used to communicate over long distances, to appease the spirits and to ward off…