Memoirs

Scribbler's Guild is a hub for senior writers where you can find a wealth of information, articles and resources on how to write memoirs so you can leave a legacy for future generations.

  • Creative Writing,  Structure and Plotting,  Training, Lessons

    Coincidence

    Deus Ex Machina Last week’s post pointed out that little coincidental changes can alter the entire trajectory of a story. But at what point does coincidence become “deus ex machina” — defined by the Oxford dictionary as, “an unexpected power or event saving a seemingly hopeless situation, especially as a contrived plot device in a play or novel”?   The key here is the word “contrived”. Last week, I said, “Our lives hinge on these coincidences.”   But herein lies a problem for writers. We can’t use them. We can’t dump a convenient coincidence into our story whenever we need something to change. We can’t simply insert a character or…

  • Creative Writing,  Structure and Plotting,  Training, Lessons

    Change It Up!

    This article comes out of a conversation I had with a writer who couldn’t decide what should go into two related scenes:   Dor: I’ve got two scenes fighting with each other. So not nice! Bev: What’s the key point in each scene? How can you differentiate the scenes to accentuate the point? Dor: It’s a sequence of two scenes as a big storm is about to hit. So I’m mostly combing for timeline consistency. Two characters, one makes a suggestion and the other resists. Then in the second scene (a few beats later in the time line) the other character takes the bait and goes overboard with the suggestion.…

  • Theme, Purpose and Outcome,  Training, Lessons

    Theme Rules Everything

    Figuring out the theme of your memoir can feel like catching a greased piglet, partly because of the confusing variety of terminology that refers to themes in storytelling. It might help to explain the difference between several different terms that are used to describe this notoriously difficult-to-grasp subject:  •  Thematic Premise — Your plot. Some human quality, activity or character trait leads (or does not lead) to a particular inevitable conclusion. Based on core values and beliefs, the premise can be expressed as an “elevator pitch” that includes character, the basic story idea and what’s at stake.  •  Thematic Statement — Your message. A thematic statement is a simple, powerful…

  • Creative Writing,  Organization and Research,  Point of View and Character Development,  Structure and Plotting,  Training, Lessons

    Cause and Effect

    One of the most effective ways to create a compelling plotline with a strong narrative drive is to make sure your cause and effect chain remains unbroken.   What do I mean by the cause and effect chain?   In stories, as in life, things happen because other things happen. If you fall down, you skin your knee. Your knee would not be injured if you hadn’t fallen down. That’s cause and effect.   In stories, cause and effect are a kind of glue that holds your story together. Without it, your story is merely a collection of random incidents and your reader eventually becomes bored because things happen for…

  • Creative Writing,  Memoirs,  Training, Lessons

    Repeat After Me…

    The Power of Focus in Writing Too much repetition is bad, except when it’s not. Too much detail is bad, except when it’s not.   So, what do I mean by that?   Often, we weaken our writing by repeating words and phrases without being consciously aware that we’re doing so, but the proper use of repetition can help strengthen our writing, give it more impact and make it more memorable.    The same is true for unnecessarily detailed descriptions. There’s a time and place for both of these techniques when we use them to focus our readers’ attention on something in the narrative.   In our brain, we have…

  • Creative Writing,  Structure and Plotting,  Theme, Purpose and Outcome,  Training, Lessons

    Think Big, But Write Small

    There’s an overall shape to a book-length story that we’ve come to expect — certain elements fall into certain places at certain times during the course of the story, and we’ve learned, even if subconsciously, to anticipate this underlying structure.     Everything in a story is connected. Think of your book as a fractal. This may help you stay on track with the multitude of ideas and abstract concepts that go into a book that’s as introspective as a memoir.   Six Elements 1. Story — A memoir is a story built around one main idea, theme or point.    2. Chapters — Within a story, there may be…

  • Creative Writing,  Organization and Research,  Structure and Plotting

    Fish-heads and Hooks

    What’s a fish-head and what does it have to do with writing?   I heard this term from an author friend who heard it from her first writing teacher, forty years ago. This teacher used the metaphor of a fish-head to warn her students about a common situation that happens when a writer’s in the earliest stages of creating a story.    She said writers often begin writing a scene, thinking it’s the start, but it’s not in fact, the true beginning of the story. Instead, the fish-head is the scene or scenes that the writer needs to write first, to begin bringing the story into focus. You have to…

  • Creative Writing,  Memoirs,  Organization and Research,  Productivity,  Structure and Plotting

    Autobiography vs. Memoir

    What’s the Difference? Autobiography?  Biography?  Memoir?  Story?  Creative Non-Fiction? Personal Essay?  All too often, when a writer decides to “write their memoirs”, they are thinking about an autobiography — the story of their entire lifetime. Calling it a memoir is a misnomer.   Autobiographies and Memoirs are not the same. So, what is the difference?   Autobiography “Auto”, from the Latin, means “self”. “Bio” means “life”. So an autobiography is your own life story written by yourself.   A Biography, on the other hand, is a life story written by someone else, like a ghostwriter. “Bi” meaning two or dual.     An Autobiography is an author’s complete life story,…

  • Creative Writing,  Structure and Plotting,  Theme, Purpose and Outcome

    Writers! Stay On Topic!

    How often have you started off writing a memoir, an article, a blog post, chapter or scene and found yourself wandering off-topic, down a fascinating rabbit hole, or chasing squirrels? Your story gets off-track and lost in a muddle of ideas. You end up frustrated and discouraged because the piece is nowhere near as dynamic and insightful as it appeared when the ideas first occurred to you.   It’s easy to do when you’re in Flow, the ideas spilling out faster than you can keep up with them and you feel like a conduit for an unending outpouring of inspiration.  You don’t want to leave out even one of these…

  • Grammar,  Theme, Purpose and Outcome

    Use Clichés to Find Your Theme

    How Do You Start Your Memoir? You start with an idea — that magical moment when something sparks the desire to write.  It might be a title that suddenly pops into your head, a concept that lights you up, a lightbulb moment, a realization or epiphany that lets all the puzzle pieces of your life fall into place.  However it happens, you are inspired and you want to write your story.   For the most part, you likely already have a rough notion of what story you want to tell.  It’s about a character (you) who has experienced events which illustrate a universal truth, a life lesson or message you…